On the up side, on my two guitars the upper two screw holes for the original trapezes matched those on the B6, and I used a straplock button with a long screw in place of the third screw hole, so there were no modifications made to either guitar. The 330 worked perfectly, the Casino was much more marginal and took a lot of fiddling to get set up as I wanted it, but it's ok now. I have B6s on my 1965 ES-330 and my '90s Japanese Casino. This leaves you with a very shallow break angle over the bridge or, if the neck set on your guitar is on the shallow side, there's a chance it may not work at all. The B3 and B6 are worth considerimg for a Casino but they're designed for guitars with traditional archtop bridges as you might find on a Gretsch, rather than the 335 style bridge that sits much closer to the body of the guitar.
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